Many authors create playlists for their books, filled with the songs that inspired scenes, characters, or storylines. Throughout the House of Crimson & Clover series, I’ve shared my playlists for the books on my website. Some of these songs were helpful background noise. Others are at least partly responsible for how a book turned out.
As I wrap up the final House of Crimson & Clover book (I’m still not used to typing those words), I’ve created a playlist filled with songs new to the series, as well as those that played pivotal roles in the creation of earlier books.
Here’s some “behind the curtain” notes behind how I chose a few of the songs that appear on the playlist for the final book in the series. The full playlist is at the bottom if you want to add it to your Spotify.
“House of Dusk, House of Dawn” Playlist Notes
Imagine- A Perfect Circle: Maynard James Keenan is one of my favorite artists, and his songs have appeared throughout the playlists for this series. I thought it only fitting to choose one of my favorite covers of one of my favorite songs for the playlist of the final book. The idealistic hopefulness of this song also resonates as this book begins with every single character part of a fight for a better world and a better life.
The Night We Met- Lord Huron: Both the chords and words of this song have a way of sinking deep into your soul. As soon as I heard it, I knew it would be the backdrop for a particularly difficult chapter. “I don’t know what I’m supposed to do, haunted by the ghost of you,” is the kind of line I wished I’d written myself. I don’t want to spoil anything, but you’ll know when you get there.
White Blank Page- Mumford and Sons: I wrote all of “Asunder” to this song on repeat (much to the chagrin of my long-suffering husband). Asunder primarily tells the story of Jacob and Amelia’s separation, which was layered with so many complexities and complications. The powerhouse of emotion behind the vocals on this song put me in Jacob’s frame of mind, and kept me there, heart clenched tight, stomach in knots, all the way to the finish.
Where is my Mind?- Maxence Cyrin: I wrote a majority of Nicolas’ scenes in “The Illusions of Eventide” to the Pixies version of this song. Nicolas has always been the character in the series most vivid to me. The most loud. Which is interesting, because in many ways he’s the least grounded. He floated through most of the books, lost, confused, and on the verge either a total meltdown or complete enlightenment. Frank Black’s warbling vocals captured Nicolas’ frame of mind quite well, but I love this calmer version as a way to bring things full circle for the character.
I Go to the Barn Because I Like the- Band of Horses: Finn is not an innocent character, but I have always felt from him, and written into him, a sense of innocence. He is most vulnerable in life when he finds himself standing before Ana, heart in hand. This song perfectly captures that sense in Finn that he is out his element in the face of something he has never wanted more, or needed more, in his life. I wrote most of his scenes in “Bound” to this song, and many in the books that followed.
Everlong- Foo Fighters: This is, of course, the song that brought Jacob and Amelia together, in a scene that happens prior to the start of the series, but is revisited several times on the page (for the first time in “Midnight Dynasty”). I chose this song because I loved it, but also because I have had this recurring dream for years that I’m pulled onstage at a FF concert for a drum solo on this song. I air drum this song in the car more than I should. Writers give their characters little gifts all the time. I thought, who better than to give this to than Jacob?
Dreams- Cranberries: Since this song came out, when I was in middle school, it has always represented happiness even in dark times. A sense of joy after a long storm. As if saying, with a smile, “ahh… at last.” I always knew this would appear somewhere at the end of the series.
A Praise Chorus- Jimmy Eat World: Simply, this song is what gave me the title for the series. I knew what I wanted to convey- the sense of two powerful families, two powerful dynasties- but struggled for months with the right title. This song was on my playlist and one day the words “clicked.” I know Jimmy Eat World borrowed “crimson and clover, over and over,” but I still owe them credit for the moment everything came together.
A few other notes. Alt-J has played a huge part in setting the stage for the second half of this series, and “Intro” is one of my favorites of theirs. It feels fitting as a start to the book. Pendulum is one of my favorite electronic groups, and “Witchcraft” has the right amount of energy to jump us straight into the biggest battle of the series. But every single one of these songs was chosen strategically, and their placement in the list is equally intentional.
You can find the playlist below on Spotify:
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...and then there was Sarah 